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Spotlight on Creativity: ƽ Cebu Supports Pahiluna Productions’ Theater Play

Cebuano students’ artistic spirit recently took center stage and a key enabler in this vibrant production was ƽ Cebu. This innovative hub, renowned for setting the stage for creativity and fostering collaborative ensembles, stepped up to powerfully support the theatrical vision of Pahiluna Productions. The talented theater group, composed of Bachelor of Secondary Education (BSEd) major in English II students from Cebu Normal University (CNU), premiered their original musical play, “Ang Kabilin,” on April 7th at the Academic Center for Arts and Sciences (ACAS) Auditorium. The ACAS Auditorium pulsed with a palpable anticipation, a house lights down moment, for “Ang Kabilin.” ƽ Cebu’s backing undoubtedly played a role in bringing this student production to life, demonstrating their commitment to nurturing emerging talent within the local community’s dramatic repertoire.


Staging Dreams

It was on February 25, 2025, when producers Kathleen Polinar and Wilson Heruela, their voices carrying the nervous energy of actors backstage, connected via Google Meet with Ms. Nina Blanche Pepito, the assistant community manager at ƽ Cebu. The convention witnessed a productive dialogue, a quiet rehearsal of collaboration, wherein both parties shared their visions and offered support, seeking to illuminate the stage of artistic potential. Polinar and Heruela, described their hope to set “Ang Kabilin” into a living, breathing performance. Meanwhile, Ms. Pepito, spoke of ƽ Cebu’s dedication to providing a platform, a stage, for the raw, untamed creativity that flourished within the community’s rising players. The digital space transformed into a proscenium, where shared dreams were both set design and the actors’ delicate, unfolding performance.

Later, when one of the producers visited ƽ Cebu for the official Memorandum of Agreement (MOA) signing, the online impression was solidified by the tangible reality. The space itself was a testament to their commitment to fostering artistry; a blend of modern design and warm, inviting atmosphere. The natural light filtering through the expansive windows illuminated collaborative workspaces, each buzzing with creative energy. The walls, adorned with local art, served as a silent gallery, showcasing the very spirit ƽ Cebu sought to cultivate. It was clear that this was more than just a business; it was a sanctuary for the burgeoning arts scene, a place where dreams were not only discussed but nurtured into vibrant realities.

Revelations on Stage

The play itself drew the audience into a world of familial tension, centered on the wake of Teresita and the ensuing battle for inheritance between her children: the troubled gambler Matilda (Fia Tajo), the sacrificing Nining (Tricia Mae Ofiasa), and the seemingly successful Joshua (Joshua Tangarorang). The presence of Manang (Jonalyn Ledesma), the family maid, added significant emotional depth, especially as her hidden connection to Teresita was revealed. The symbolic kaban (box) became the focal point of their conflict, ultimately revealing a truth far more profound than material wealth: their mother’s unconditional, albeit misunderstood, love. As Manang poignantly expressed, “Ang tinuod nga kabilin dili ang yuta, kundi ang iyang gugma” (The real inheritance is not the land, but her love).

Photograb: Ang Suga Publication



Adding a unique and chilling dimension, “Ang Kabilin” masterfully incorporated Filipino folklore, revealing Teresita’s identity as an aswang and the subsequent passing of the curse to Matilda’s innocent daughter, Analyn (Angel Anne Alqueza), upon opening the kaban.

                                     
Photograb: Ang Suga Publication

Director Hazel Alfanta, in her interview with Ang Suga, highlighted the personal inspiration behind the play – family land disputes, a common Filipino experience. She also credited the creative synergy within the group, noting how a producer’s idea for the supernatural twist was brilliantly realized throughout their talented playwrights. Alfanta expressed her hope that the play, made possible in part through the support of ƽ Cebu, would resonate with audiences, emphasizing the enduring strength of family and the importance of reconciliation: “Despite disputes and misunderstandings between families, in the end, we still go back to our roots. No matter how far somebody has gone, family will always call and pull their heartstrings home.”

 

Curtain Call

“Ang Kabilin” is the first of six productions from CNU’s BSEd-English II students, a testament to the vibrant creativity being fostered within the university. The proactive support of organizations like ƽ Cebu is crucial in providing these budding artists with the platform and resources to bring their visions to fruition. Throughout actively championing Pahiluna Productions, ƽ Cebu demonstrates a deep understanding of the importance of investing in the arts and empowering the next generation of storytellers. This partnership underscores the powerful impact that local businesses can have on the cultural fabric of Cebu, fostering an environment where creativity can truly thrive and shine.  ƽ Cebu’s commitment to initiatives like this not only enriches the community but also inspires future collaborations between the business and artistic spheres.

By Vanne Wilson Heruela